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Karni Classics

A new music and video record
label devoted to the beauty
and artistry of classical music

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NEW RELEASE

Karni Classics is thrilled to unveil its newest releases, featuring:​

These highlights join an expanding catalogue of inspiring performances and concert projects, reflecting the label’s commitment to exceptional artistry, emotional depth, and the timeless beauty of classical music.

AVAILABLE ON:

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Classical music audio & videos

ABOUT KARNI CLASSICS

Karni Classics is a boutique music and video label devoted to the beauty, authenticity, and expressive depth of classical music. Its mission is to unite tradition and discovery through evocative performances, luminous visuals, and heartfelt collaborations that invite listeners to experience the art form as timeless, transcendent, and profoundly human. Founded by violist Gilad Karni, the label reflects his artistic values and long-standing commitment to excellence. Praised worldwide for his distinctive tone, musical insight, and versatility, Karni has built an international career as soloist, chamber musician, principal orchestral player, and pedagogue, appearing at major festivals and distinguished stages across Europe, the United States, South America, and Asia. Winner of the Lionel Tertis International Viola Competition and numerous additional international prizes, he has collaborated with artists such as Isaac Stern, Yo-Yo Ma, and the Guarneri Quartet, and has premiered significant works including Prokofiev’s Romeo & Juliet arranged for viola and orchestra and Gideon Lewensohn’s ViolAlive. Currently Principal Violist of the Tonhalle Orchestra Zürich, Karni has previously held principal positions with the Deutsche Oper Berlin and the Bamberg Symphony, recorded for labels including Naxos and Sony, and taught at leading institutions while mentoring young musicians in masterclasses around the world. His artistic vision and dedication form the foundation upon which Karni Classics continues to grow.

COMING SOON ON KARNI CLASSICS

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The Karni trio

Karni Classics is proud to present a forthcoming CD 'Tribute' release featuring three masterworks of chamber music for strings and piano, each illuminating the poetic possibilities of intimate ensemble playing across eras and styles. Wolfgang Amadeus Mozart’s celebrated “Kegelstatt” Trio in E-flat major, K. 498, born from the composer’s circle of close Viennese friends, embodies the spirit of convivial music-making with its unusual instrumentation, warm conversational tone, and gentle sequence of movements. Its imaginative interplay among clarinet, viola, and piano—sparked by Mozart’s own affinity for the instrument—has inspired generations of composers. The program journeys forward to Joseph Jongen’s exquisite Trio for Violin, Viola, and Piano, Op. 30 (1907), a work long admired for its melodic ingenuity, radiant color, and structural sophistication. Spun almost entirely from a single folk-like theme, its expansive Prélude, central variations, and luminous finale reveal a remarkable command of texture and fantasy—making it one of the most distinguished contributions to the repertoire. Completing the recording is Johannes Brahms’s deeply personal Trio in E-flat major, Op. 40, a singular fusion of lyricism and elemental power that draws upon the noble timbres of the natural horn. Its poignant Adagio mesto stands among the composer’s most heartfelt pages, balanced by an exuberant, hunt-inflected finale. Together, these three works explore friendship, memory, innovation, and the expressive breadth of chamber music—offering listeners an intimate encounter with invention, color, and human presence at the highest artistic level.

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The Karni - Kogima Duo

The Karni - Kogima Duo announces its upcoming Brahms recording on Karni Classics, a release that highlights the expressive intimacy and emotional breadth that lie at the heart of great chamber music. The new album showcases two artists whose curiosity, commitment, and shared musical voice illuminate Brahms’s world with exceptional warmth and depth. The duo brings together two distinguished musicians whose international careers, artistic refinement, and stylistic versatility make them a compelling partnership on the concert stage and in the recording studio. Violist Gilad Karni has been praised worldwide for the beauty of his tone and the integrity of his interpretations. A laureate of major international competitions—including First Prize at the Lionel Tertis International Viola Competition—he has enjoyed a multifaceted career as soloist, chamber musician, teacher, and orchestral leader. Karni has appeared at renowned festivals such as Aspen, Santa Fe, Kuhmo, Davos, and Dubrovnik, and has collaborated with artists including Isaac Stern, Joshua Bell, and Yo-Yo Ma. His concerto appearances span Europe, Asia, and the Americas, and he has given several important premieres, including arrangements from Prokofiev’s Romeo & Juliet and Gideon Lewensohn’s ViolAlive. His recordings for Naxos and Sony have received international acclaim, including a GRAMMY nomination. Formerly Principal Viola of the Deutsche Oper Berlin and the Bamberg Symphony, Karni has served since 2004 as Principal Violist of the Tonhalle Orchestra Zürich. An esteemed pedagogue, he has taught at leading institutions in Switzerland, Korea, China, and the United States, and has mentored young violists at premier summer academies. After more than 25 years performing on the ex-Emmanuel Vardi viola by Hiroshi Iizuka, he now plays a 2025 instrument crafted for him by Gianmaria Stelzer. Brazilian pianist, composer, and conductor Richard Octaviano Kogima has been described as a musician of “multifaceted nuance and transparent sound,” whose interpretations combine lyrical depth with compelling rhythmic vitality. A prize-winner at competitions in Paris, Zürich, the United States, and Brazil—including the Nelson Freire Award at the 2022 Géza Anda Piano Competition—he has performed at venues such as Salle Cortot (Paris), Tonhalle Maag (Zürich), the University Aula (Oslo), and the Howard Performing Arts Center (USA). His festival engagements include Bergen, Usedom, Campos do Jordão, Chautauqua, and the Emil Gilels Festival. Kogima has received profound artistic influence from Maria João Pires, Leif Ove Andsnes, Christian Zacharias, and Herbert Blomstedt, whom he considers a formative mentor. An active educator, he teaches piano and chamber music at the Zürich University of Arts Pre-College Division and the Zürich Conservatory, and gives regular masterclasses in Europe and South America. He holds master’s degrees in performance and pedagogy from the Zurich University of Arts, as well as the Diplôme Supérieur d’Exécution from the École Normale de Musique de Paris. Together, Karni and Kogima embody a duo of radiant musical compatibility, bringing decades of experience, craftsmanship, and poetic imagination to the repertoire for viola and piano. Their forthcoming Brahms release offers a vivid portrait of two artists united in the pursuit of expressive truth and musical eloquence.

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Out Soon!

Karni Classics proudly presents Trio Karni’s new album, A Conversation Across Time - a musical journey that places the refined contrapuntal world of the Bach family alongside the lyrical late-Romantic voice of Robert Fuchs. Though separated by nearly a century and a half, these works reveal a shared artistic ideal: chamber music as intimate dialogue, where individual voices converse with elegance, imagination, and emotional depth. At the heart of the recording lies the unique sonority of the violin–viola–piano trio, an ensemble capable of both transparency and warmth. Through this carefully curated program, Trio Karni explores connections across generations, styles, and musical languages - from the intellectual brilliance of the Baroque to the poetic introspection of fin-de-siècle Vienna. JS & CPE Bach Trio Sonata in G Major (reconstructed after BWV 1038) This reconstructed Trio Sonata offers a fascinating glimpse into the artistic relationship between Johann Sebastian Bach and his son Carl Philipp Emanuel Bach. Rooted in the rich tradition of German Baroque chamber music, the work combines structural clarity with expressive freedom, revealing the transition from the mature Baroque style toward the emotional sensitivity of the early Classical era. Rather than presenting a soloist accompanied by supporting instruments, the trio texture creates a true musical conversation. Themes pass fluidly between violin, viola, and keyboard, unfolding through imitation, ornamentation, and intricate contrapuntal interplay. The opening movement displays balance and elegance characteristic of Johann Sebastian Bach, while moments of harmonic boldness and rhetorical nuance already suggest the emerging voice of Carl Philipp Emanuel Bach and his celebrated empfindsamer Stil. The central slow movement unfolds with lyrical intimacy and vocal expressiveness, while the concluding movement restores vitality through rhythmic brilliance and dance-like energy. Standing between generations, the work embodies both continuity and transformation - a dialogue not only between instruments, but between musical eras. Robert Fuchs 7 Fantasiestücke, Op. 57 for Violin, Viola and Piano Today known primarily to musicians and connoisseurs, Robert Fuchs was one of the most admired pedagogues and composers of late-Romantic Vienna. A professor at the Vienna Conservatory, his students included Gustav Mahler, Jean Sibelius, Hugo Wolf, Erich Wolfgang Korngold, Franz Schreker, and Alexander Zemlinsky. Johannes Brahms himself greatly admired Fuchs’ craftsmanship, lyricism, and natural melodic gift. The 7 Fantasiestücke, Op. 57 reveal these qualities in their most intimate form. Composed for violin, viola, and piano, the cycle belongs to the great Viennese chamber music tradition in which poetry, atmosphere, and refined expression take precedence over virtuoso display. Each miniature unfolds as a distinct emotional landscape — at times wistful and nostalgic, at others playful, passionate, or gently melancholic. Fuchs writes with extraordinary sensitivity for the viola, whose warm middle register becomes a central expressive voice throughout the cycle. The violin and viola frequently intertwine in close dialogue above luminous and delicately balanced piano textures, creating music of remarkable sincerity and chamber intimacy. Rather than striving for monumental drama, Fuchs embraces concentration, nuance, and emotional subtlety. The result is a deeply human work: elegant, lyrical, and profoundly Viennese in spirit. A Musical Dialogue Placed side by side, the Bach and Fuchs works illuminate more than historical contrast. Both composers understood chamber music as a living exchange between voices - a space for conversation, reflection, and shared expression. In A Conversation Across Time, Trio Karni invites the listener into this dialogue across centuries, where the clarity of the Baroque and the warmth of Romanticism meet in a common language of intimacy, imagination, and musical storytelling.

COLLABORATIONS

Karni Classics benefits from an artistic partnership with two exceptional Tonmeisters whose expertise shapes the label’s distinctive sound and visual identity. Prof. Andreas Werner, renowned for his refined sonic aesthetic and decades-long experience in classical recording, brings a unique sensitivity to balance, color, and acoustic space, ensuring that each project resonates with clarity and emotional resonance. Dominykas Girčius, a rising force in both audio and video production, contributes a fresh, forward-looking approach marked by precision, creative visual storytelling, and an intuitive understanding of musical expression. Together, Werner and Girčius form a complementary team whose collaboration with Karni Classics elevates every recording—merging technical mastery with artistic insight to create audio and video productions of exceptional depth and beauty.

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Prof. Andreas Werner

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Dominykas Girčius

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